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Black Lives Matter Solidarity Statement
This statement was released to the general public via email and social media on Jun 1, 2020, following the murders of Breonna Taylor, Ahmaud Arbery, George Floyd, and others.
Play Discussion Club
Join us for our SpeakEasy Play Discussion Club, a weekly discussion surrounding some of today’s most exciting scripts!
Announcing Our 30th Season: You Are Why We Tell The Story
Our exciting 2020-2021 Season boasts a bold and entertaining line-up that includes Once on This Island; People, Places & Things; and The Inheritance. We will also be presenting Bright Star, which had previously been scheduled to appear in our 2019-20 Season.
COVID-19 Update
Given the evolving circumstances around COVID-19, and out of concern for the health and safety of our patrons, staff, and artists, SpeakEasy Stage Company has decided to take the following actions. Click to learn more.
Boston Conservatory Partnership
To download high resolution images, click the thumbnails below, then right-click and choose “Save Image As.” All captions are credited from left to right unless specified otherwise.
An Interview with Director Monica White Ndounou
“When the Front Porch Arts Collective reached out to me to direct this show I had not yet seen it or read the play. I read it a few times, thinking about the various plays being written during our current moment, (i.e. the Black Lives Matter movement which is part of a continuum of Black liberation movements), I wanted to explore the possibilities of using the Black American acting traditions that I am writing about in my book to center Black artists and audiences.”
Pass Over Additional Reading
Antoinette Nwandu’s Pass Over, though only 90 minutes, is an incredibly complex play, drawing both on historical source material, some dating back over two thousand years ago, and on current events and movements. Here’s a select reading list to provide some context to our production, and to serve as a second step to larger conversations and action.
Playwright Joshua Harmon
Joshua Harmon’s first two plays, Bad Jews and Significant Other, were huge hits both Off-Broadway and at SpeakEasy Stage. Both of these shows were so successful in part because of Harmon’s keen ear for satire and gift for thoughtful provocation. So when we first read Admissions, we couldn’t wait to give Boston audiences another chance to laugh, cringe, and cheer along with Harmon’s characters. Boston Project Playwright MJ Halberstadt recently emailed with Joshua Harmon to discuss his writing process, examining race as a white man, and the Varsity Blues scandal with Lori Laughlin and Felicity Huffman.